Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Gerard van Honthorst
Portrait of Luise Hollandine, in fact Louise Maria, Pfalzgrafin bei Rhein

ID: 94948

Gerard van Honthorst Portrait of Luise Hollandine, in fact Louise Maria, Pfalzgrafin bei Rhein
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Gerard van Honthorst Portrait of Luise Hollandine, in fact Louise Maria, Pfalzgrafin bei Rhein


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Gerard van Honthorst

(November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes.  Related Paintings of Gerard van Honthorst :. | Susanna and the Elders | Willem III op driejarige leeftijd in Romeins kostuum | The Mocking of Christ | Merry Company | Detail of Margareta Maria de Roodere and Her Parents |
Related Artists:
William Mellor
British 1851-1931
STUBBS, George
English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.
Josehp Bruggemann
painted Vista do Desterro in 1867






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